Ahmaud Arbery muralist turns to Brunswick history

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Marvin Weeks in front of his mural of Ahmaud Arbrery.

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Weeks says this is what he’d hoped to see happening around the artwork.

«Because there’s always a meeting place — a place to do the call and to talk about the issues that’s going on,» he says. «I think the mural does that.»

The mural is adapted from Arbery’s high school graduation picture. He’s smiling and dressed in a tux. Weeks painted it on a wall of tabby which is a strong, stucco-like siding made from sand, seashells and lime. The method was brought here by enslaved Africans.

«I thought it was a perfect element to illustrate him in it,» Weeks says, noting how the textures give the painting a distinctive feel.

«When you look at it closely, I think you see pathways of different things in there.»

An art piece for all of Brunswick

Weeks, who is 67, grew up in Brunswick, in a house not far from here. He left as a young man to pursue his art career in Florida, where he serves on the Miami Arts and Entertainment Council.

But Weeks remains rooted to his home community. And now in the aftermath of Arbery’s killing, he’s spending more time here. He’s planning another art installation on the corner near the Arbery mural.

«This is going to be an art piece for the entire Brunswick,» he says. «It shows the history of Brunswick and the African-American history is not disconnected from the general history.»

Weeks has set up a makeshift studio inside the cultural center site where he has large plywood cutouts that he’s coating with white primer. These will be the base for his design to transform a rusty sign post — left over from a restaurant demolished years ago — into something new.

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Marvin Weeks glues oak leaves for his newest body of work.

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«I’ve been researching Tunis Campbell and the legacy he left along the coast that people have kind of hidden and not talked about,» says Weeks.

Campbell was a key African-American leader — a state senator and military governor for communities of formerly enslaved people on Georgia’s Sea Islands. Former slave holders eventually ran them off the land.

Weeks says not acknowledging all that has happened here allows history to repeat itself. And that’s how he sees Ahmaud Arbery’s killing, a tragedy that was little known when it happened in February 2020.

A pickup truck was the enemy

It wasn’t until months later, when graphic cell phone video was leaked, that Arbery became another name to call in the movement for racial justice.

The video shows three white men chasing Arbery with pickup trucks as he is running through a neighborhood on the outskirts of town. When he’s cornered, Arbery fights back and is killed by three shotgun blasts.

Mural of Ahmaud Arbery.

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Weeks says he couldn’t help but think about his childhood, when he and friends would cut through alleyways in white neighborhoods.

«A pickup truck was the enemy,» he recalls.

He described that as Black children would be walking to the store or the park, white people would pass them riding in the back of pickup trucks.

«And holler at you and throw something. Everyone my age could tell you that was the fear when you saw a pickup truck coming.»

Weeks says he thinks a racial divide persists because people haven’t been honest about their shared history and interconnectedness.

«Everybody’s saying ‘be quiet, calm down, the outsiders are coming in,’ as if somebody is coming in to tell this story, as if there’s something to hide,» Weeks says.

«I think we’re continuing that old ‘everything is alright, show everyone from the outside everything is okay.’ It hasn’t been okay.»

Weeks says it won’t be okay until people can acknowledge that Brunswick belongs to all of its citizens no matter their race.